Official website for Mark C. Hewitt & Blank Productions


Original Portuguese text by Moncho Rodriguez
('Labirinto de Amor e Morte')
English version by Mark C. Hewitt (
with Marta Carvalho)
Performed by Marta Carvalho
Music by Narciso Fernandes, featuring the voice of Clarisse Fernandes
Costume: Marília Martins
English version directed by Mark C. Hewitt
Movement consultant: Katarina Bozic
Lighting design: Ally Brett

A translation of a Portuguese theatre monologue, working with actress
Marta Carvalho.

"Today I killed a man". The first words of
Labyrinth plunge us into a narrative that hovers ambiguously between murder and vivid fantasy as it depicts a woman on the edge, desperate to break free of the entanglements of a love affair that has turned toxic. Has she actually killed her lover? Is this a violent reaction to coercive control? We can't be sure. Initially, we see a woman who appears in control of her destiny but soon get drawn in to her inner labyrinth of vulnerability and despair. If she is to lay claim to herself again as her own woman she must find a way out of this hell and rediscover herself anew.

Written for Marta Carvalho by Galician theatremaker
Moncho Rodriguez, the Portuguese version has previously been toured in Brazil, Portugal and Spain. This new English version captures the obsessive, capricious nature of the Portuguese original, losing none of its visceral energy or passion but perhaps adding a subtle layer of dark humour.

The English version of
Labyrinth was previewed in Autumn 2019 with a run of performances in Hastings, Lewes, Bristol, Tunbridge Wells and London.
See the production trailer:
here »


The first performance was reviewed by Anna Arnone for Hastings Independent Press:
"In a set scattered with rose petals and bathed in blood red light, Marta Carvalho propels us into the sadness, the frustration, the rage, the love, the tension, the pain, and the beautifully dark humour, experienced by her character, as she voices those most taboo of thoughts. Yes, she killed him she declares; but has she? She symbolically eats his ashes and he becomes part of her in a neat symbolic reversal of the power roles. She acknowledges the various familiar roles that woman can slip into and then the haunting possession of her imagination by an ex-lover in the aftermath. … Labyrinth is full-on physical theatre in which Carvalho takes us on a woman’s rollercoaster journey through a myriad of emotions in the aftermath of a relationship. … Described as a 'fierce feminist monologue', Carvalho delivers her words bluntly and passionately, fixing you in her gaze or a stare as she moves around the circular set. It is both fascinating and disconcerting as her questions and statements seem to be aimed directly at you!"

See the rehearsal teaser here »

Photos © Sara Roque Peres, 2019