MCH/BLANK

Official website for Mark C. Hewitt and Blank Productions

Female, writer, forties

I'm walking through the narrow back-streets of a city, late at night; it's cold, badly lit, I stumble into dustbins, etc. I'm trying to get away from someone but I don't know who it is. There's a door into the back of what I assume is a small shop and I open it and go in. I'm in a narrow corridor, with high ceilings - almost like a tunnel. The walls are dark brown with peeling paint. I feel very squashed and claustraphobic. Then there's a narrow staircase and I start to climb. The steps are steep and my legs ache. At the top of the staircase there's another door and I open it. I'm standing in an enormous, cavernous room - like a palatial ballroom, with candelabras hanging from the ceilings. The walls are painted dark red. The floor is polished and there is a Grand piano in the far corner. I shout out and my words echo back to me. The floor to ceiling windows have black velvet drapes over them. I pull one aside and look out, over green fields, a river, a railway line. I curl up by the window and suddenly realise I'm heavily pregnant and the baby is moving down, ready to be born. There's no pain at all and I know exactly what to do. I squat down and lift my dress - it seems I'm not wearing anything underneath! - and the baby's head whooshes out in a gush of fluid, and hangs there for a moment; then the shoulders slide down and out, then the body, as easily and quickly as a fish. It's a boy, and I pick him up and lick him clean and bite through the cord. Then, suddenly it's night-time outside and the room is very dark and I can't see my baby's face in the huge room. He latches onto my breast and the door of the huge room opens and there are footsteps but I can't see who's there. I know I have to keep quiet and keep the baby quiet. Then I must have woken up, because I can't remember any more.